
from the
the wonder world of k. gordon murray:
THE KING OF CULT FILM
The term "Cult Film" has become as meaningless a term as "Outsider Art," watered down to the point of impotence. Cult Film can imply anything now from films with occult overtones, to any film that stinks, to any film that has a following of fans. Just as the term "Independent Film" now means nothing more than any product coming out of a major studio that didn't cost more than $20 million, Cult Film is a term that has lost its meaning.
We like to think of a "Cult Film" thusly:
1/ any film that has taken on a life of its own, long after its intended purpose (i.e. original release) has expired, that is, any film that becomes more interesting as it ages.
2/ any film that is so unusual, unique or bizarre that it compels one to watch, often against good judgement and popular opinion.
3/ any film that, as opposed to the "art by committee" groupthink that describes all Hollywood product, reflects the particular aesthetic vision of its maker(s), and this vision, however warped or botched, is clearly visible in the finished product.
As every film in his large output meets these criteria, we nominate K. Gordon Murray as "the King of Cult Film"! Murray's films are unbelievable, hilarious, pathetic, terrible, in many cases hard to describe and almost impossible to believe.
i like this definition of cult film, and i was thinking how i'd love to see some of the films he was involved with, when i realized i had one. my parents gave me a collection of dvds called
tales of europe last christmas and among them was
the golden goose. it doesn't seem as nearly surreal and strange as some of his other films are described as though. i think i'd really like to see one of his santa claus films but i don't think they are available on dvd.